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Kate Mackay’s beautiful work at Factory49 combines materially emphatic discrete forms and crowds them into such close array that relationships of color loose all discretion, bleeding into one another to produce modulated effects. Someone suggested it was like looking at magnified pointillist detail.
What "art" and the "artworld" looks like from the perspective of "artists" from Sydney's Inner West's "art scene".
-by "Alex Wisser" and "Georgie Pollard"
